воскресенье, 30 января 2022 г.

Physical Graffiti: The History of Hip Hop Dance

 



Physical Graffiti: The History of Hip Hop Dance

by Jorge "POP MASTER  FABEL"  Pabon of the Rock Steady Crew/Universal Zulu Nation/Tools Of War

*All Rights Reserved©

This essay was originally published in the program for the Rock and Roll Hall of Fame's conference titled "Hip Hop: A Cultural Expression" and later featured in Jeff Chang's 2007 book, Total Chaos: The Art and Aesthetics of Hip-Hop

Preface: As we complete the third decade of what has been termed "Hip Hop culture," much has yet to be explored regarding its roots, history, terminology and essence. Deciphering theories from facts is a gradual, seeming endless process since many resources are scattered, leaving missing links in the chains of history. Nevertheless, it is safe to say that there are authentic facts, proven by sound testimony and evidence, regarding Hip Hop history. These truths, unanimously agreed upon by the pioneers of the culture, should constitute the "Hip Hop gospel," whereas the questionable theories should remain as footnotes until proven to be fact.

суббота, 29 января 2022 г.

AROUND 1929 THE SOUTH BRONX WAS CERTAINLY NOT WHAT IT IS TODAY



 It was a place where Irish, Jewish and Italian families raised their children and did their best to maintain their cultural traditions, while living

in what was so often referred to as the New World. Despite the Great Depression that was going on at the time, the future didnt look so bad, for at least they had their own communities or so they thought! In 1929 the New York Regional Plan Association had something else in mind for the future. They envisioned Manhattan as a centre of great wealth and to provide the necessary workforce to fuel this affluent centre, a massive expressway would be built that would connect Manhattan to the suburbs. This way commuters could literally drive over the Bronx and whatever other areas spanned across this 7 mile experiment.

The Gospel Of Hip Hop - Page 323 - Verse 45-55

 



45. The true Hiphoppa must make an effort to complete himself if he desires to exert any real influence beyond himself. An incomplete person is unable to direct himself. It is like having a broken leg or broken wing. Only a Self-directed person can get to where he needs to be. Everyone else is drifting or being directed by the intentions and influences of others.

46. Very simply, when you gain control of your Self you shall be able to command your Self to do whatever you wish. The real issue as to why you cannot heal yourself, feel good about yourself or achieve those things that you really want for yourself is because you have very little control of your Self. Your mind does whatever IT wants to do! Your body does whatever IT wants to do! Your emotions are out of Your control! And your own environment acts as if you are not even there! The master of your house is asleep. WAKE UP, HIPHOPPA!

47. When you gain control of your Self you shall tell yourself what to do, and where to go, and what to be and it shall have no choice of its own but to do, or go, or be that which you have commanded it. But first, you must get control of your SELF!

48. Just think. If you wanted to pick up a glass of water but your arms were doing whatever they wanted to do on there own, and the glass of water was doing whatever it wanted to do on it's own, and the table and every thing else were all moving on their own, it would be impossible to pick up the glass and drink. In fact, there would be no glass to drink from.

49. This is how must people live their live! They have no control of themselves of their environment. They are tempted by this and disciplined by that. They are helplessly blown across life like a leaf in the street! This type of life can make anyone insecure, fearful, doubtful and stressed out! It is only when you have complete control of your arms and hands that you can effortlessly move them toward that which you desire.

50. Even deeper, when you realize that what you call your Self is actually the table, the glass and the water as well as your arms and hands, then the table, the glass, the water, your arms, your legs, your mind, your physical environment and your life circumstances shall all stop doing their own things. They shall hear your commands and obey them because at this level of awareness they have no movement outside of your Self - outside of your perception. Your very presence brings everything into harmonious order with each other; each other meaning the totality of your SELF!

51. It is only your limited perception that allows your environment to do what IT wants. In fact, because of your own doubt and disbelief you allow your environment to do what ever IT wants - no one is directing it. This is why it is of extreme importance that you first gain control of your own Self if you are to attain any kind of real peace or lasting prosperity. Such a control begins as a consistent learned habit of the mind. First YOU must get your mind right! First YOU must make the decision to direct your OWN mind, which is done through a defeat of your bodily cravings. Then when you have made up your mind, when you have created your mind-state outside of your cravings, stick to it! STAND YOUR GROUND! Do not be moved!

52. Know this. An uncontrollable, imperfect mind is prison for the true Hiphoppa. For if you cannot direct your own mind and body beyond your own temptations, fears, and doubts then it is obvious that you are lead not by what YOU desire for your Self by what your mind and body crave for themselves. You are their slave. This is why you cannot seem to get anything done for yourself. In spirit you must finally make up your mind, create and build your own mind-state.

 

53. It is YOU (Spirit) that must order your mind and body to think and move toward YOUR success; otherwise they will think and move toward the fulfillment of their own successes which is your spiritual failure. Right along with the knowing of one's Self and even the creation of one's Self is the true directing of one's Self. Once your tempting desires and cravings no longer have a hold on you, you can properly direct your Self.

54. For it is the will to direct your Self even in the most confusing and uncomfortable situations that proves your spiritual maturity. In fact, the ability to actually direct one's thoughts and actions above the cravings of the flesh is a skill that every true Hiphoppa growing along a spiritual path must attain.

55. This is why many people feel stagnated in their lives, even with success. Most of the time it is because they either lost the ability to direct themselves or they never had the ability to direct themselves. They've become slaves to their situations. Whenever they think of something that they would like to do for themselves it is always their OWN uncontrollable fears, doubts, cravings, temptations and other immaturities that prevent them from achieving that which they say that they want for themselves.

One Large Piece Each Month! (plus quotes here and there throughout the month)

The Hip Hop Declaration of Peace

 


 


This Hiphop Declaration of Peace guides Hiphop Kulture toward freedom from violence, and establishes advice and protection for the existence and development of the international Hiphop community. Through the principles of this Hiphop Declaration of Peace we, Hiphop Kulture, establish a foundation of Health, Love, Awareness, Wealth, peace and prosperity for ourselves, our children and their children's children, forever. For the clarification of Hiphop's meaning and purpose, or when the intention of Hiphop is questioned, or when disputes between parties arise concerning Hiphop; Hiphoppas shall have access to the advice of this document, The Hiphop Declaration of Peace, as guidance, advice and protection.

 

Hip Hop History 101

 


Afrika Bambaataa Aasim, or more commonly, Afrika Bambaataa, is a pioneering Hip-Hop DJ who, along with contemporaries such as Grandmaster Flash, became a recording artist as Rap records became marketed. He is most popular for conceiving the first breakthrough Electro record, “Planet Rock” in late 1981, which was recorded and released in 1982. The record redefined all of Hip-Hop to be produced electronically with drum machines and keyboards instead of relying on live house bands. Bambaataa is also widely regarded for founding a Hip-Hop cultural movement known as the Universal Zulu Nation, a collective that transcended gang-life and promotes history and culture, which has expanded globally. However, Bambaataa’s contribution as being the talent behind Hip-Hop’s entering the art-world’s consciousness in 1981, which in turn, caused Hip-Hop to expand beyond the Bronx and Harlem, is perhaps his most overlooked role, and greatest contribution to Hip-Hop.

Youth and the Black Spades

Between 1948-1963, the bulk of the Cross-Bronx Expressway is constructed. This is regularly blamed for the economic decline of The Bronx, and the South Bronx’s result was becoming plagued by street gangs. Afrika Bambaataa is raised within this landscape. His date-of-birth remains a mystery, although many sources have deduced it to probably be 1957, with some sources citing April 19, 1957. Bam clearly states, “we never speak of my age”. His birth name remains completely unknown. Biographers have incorrectly stated it as Kevin Donovan, but since then, it has been clarified that Kevin Donovan was a member of the Winely Records’ house band that backed early Bambaataa records.

What is known is he was born to parents of West Indian decent (Jamaican and Barbadian), in Manhattan, and his family relocated to the ground floor of the Bronx River Projects during his earliest days. As a child, he was exposed to the black liberation movement, and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement, as well as was exposure to his mother’s extensive and eclectic record collection.

Between 1968 and 1973, The Bronx becomes flooded with heroin due to the Mafia’s ties to regional suppliers such as Nicky Barnes. The economic crisis and dangerous conditions that arose from this caused street gangs in the South Bronx to become law of the land for youth. By the police’s own reports, there may’ve been as many as 10,000 gang members in the Bronx, alone. Reportedly, Bambaataa was a founding member of the the Savage Seven gang, which originated in 1968 at the Bronxdale Houses in

Soundview section of the Bronx. As the gang grew, they changed their name to the Black Spades (reportedly, future music partner DJ Jazzy Jay also was a member). The gang quickly spread to nearby housing projects and throughout the Bronx, with divisions in almost every precinct. They became one of the most prevalent violent African-American street gang in New York City during the 1970s, with over 50 divisions in New York State alone.

Bambaataa was inspired to take his name while watching the 1964 Michael Caine film Zulu, being influenced by the depiction of the Zulu warriors attacking British troops at Rorke’s Drift. Bambaataa is a phonetic translation of Bhambatha, which Bam explains roughly translates to “affectionate leader”. Along with other Black Spades, he was bused to a predominantly White school in the Soundview area of the Bronx, where “race wars” are said to occur with White gang members attending his school. In 1971 the “Junkie Massacre” occurs, which is explained as gangs such as Savage Nomads, Roman Kings, The Brothers and Sisters, The Black Spades, and The Ghetto Brothers all taking vengeance on heroin addicts in the community.

Bambaataa rose to the position of Division Leader of The Black Spades,

Bambaataa rose to the position of Division Leader of The Black Spades, as he was known for defusing potential wars with other gangs, as well as recruitment. In November of 1971, The Black Spades went to war with a White division of the Golden Guineas and Misters Bronx at Stevenson High School, and with the Savage Nomads in a movie theater. Shortly after, an attempted “emergency” peace treaty at the picturesque Bethesda Fountain in Central park was called by the Ghetto Brothers. Although this was covered by columnist Joe Torres in the New York Post, who praises the Ghetto Brothers’ attempts at peace, it proved fruitless at ending violence in the Bronx.

The Death of Black Benjie

The following month, the Ghetto Brothers then gathered representatives in Horseshoe Park at 165th and Rogers. A sizable figure of the Ghetto Brothers, 25 year-old Cornell “Black Benjie” Benjamin was called in to mediate. Without weapons, Benjie called for a truce, reminiscent of the opening scene of The Warriors. Despite this, Benjie was severely beaten at the incident, dying at Lincoln Hospital later that day. The Daily News’ headline read: PEACEMAKER KILLED IN MELEE. BRONX TEEN WAR. That afternoon, after rumor of Benjie’s death spread, and Black Spades leader, Bam Bam (not to be confused with Bambaataa) was one of several gang presidents to visit Ghetto Brothers’ clubhouse to make amends and avoid retaliation. Bam Bam stated the Spades were not part of the killing, and vowed to aid the Ghetto Brothers in their effort to find the killer. Internally, there was a division amongst Ghetto Brothers leaders; Charlie Suarez wanted absolute retaliation, whereas top president Benjy Melendez wanted peace. Despite Melendez, members of the Ghetto Brothers, including Suarez, vowed retaliation against the Seven Immortals and the Mongols. By dusk, one of the Black Spades was detained in connection to Benjie’s murder. The Ghetto Brothers believed the wrong guy had taken the fall. They believed Julio, a leader of the Seven Immortals had delivered the death blow. Ironically, Julio was a former Ghetto Brother.

A hunt ensued, and some members of the Ghetto Brothers found Julio and four others of the Seven Immortals. Tying all five up, Suarez returned to execute Julio with a .45 calibre handgun. Melendez stepped in to prevent the Suarez from shooting Julio. After a severe beating to all five, they were set free. Suarez and Melendez visited Benjie’s mother Gwendolyn Benjamin to console her. Benjie’s mother pleaded for no revenge, as she felt Benjie lived for peace. The following day, reporters donned on the Ghetto Brothers clubhouse. Melendez gave an impromptu press conference. Melendez made it clear there would be no retaliation, and chastised the press for wanting reports of revenge.

One of the Youth Services Agency’s Bronx gang crisis squad, “Spanish Eddie” Vincenti, 27, a youthful veteran of the 1950s Bronx street gangs, began working on the grandiose notion of getting every major gang in the Bronx to sign an intergang treaty and alliance. This giant alliance would be called “The Family”, and every gang would become a division in the larger gang. The idea had just enough vision in it for gang leaders to be interested in its possibilities. Vincenti felt that once unified under a single name, the gangs could do virtually anything, if someone provided them with the right kind of social vision.

Размышления о Хип-Хопе (монография)


 

Некоторые люди привыкли видеть рэп ущербным и тупым. Рэп всего лишь то, что было сделано. Хип Хоп то, чем мы являемся. Скажи что это болтовня и демагогия. Я скажу пора взяться за самообучение. Люди в наше время двух слов связать не могут, не развиты интеллектуально. Привыкли быть серой массой и жить бездумно. Хип Хоп как термин подразумевает развитие и обновление движения. Возрождение аутентичной музыки помогает ощутить дух всего движения Хип Хоп. Само слово культура подразумевает рост человека над собой, не просто пребывание в комплексе каких-то идей, верований, а полное слияние с природой Хип Хопа. Развивая себя и обучая себя, мы делаем себя человеком, а не просто камнем в огороде. Мы должны двигать свой ум вперед, наполнять энергией Солнца каждое движение.

понедельник, 17 января 2022 г.

Tape DJ Патрик из Уфы на Улётном джэме в Луганске. Лето 2021. Квартал Южный

Открытие "Музея-мастерской "Катушки/Вертушки""

 https://vk.com/futureofmusicmuseum

Под этот Новый Год задышало первое отделение Музея будущего музыки в виде "Музея-мастерской "Катушки/Вертушки"" на Пушкина 86 в Уфе. Каждый желающий с 15 января 2022 здесь сможет послушать музыку на аналоге (магнитофоны, виниловые проигрыватели), записать звуковое письмо, оцифровать ленты и пластинки, восстановить аппаратуру, и главное - научиться всё это делать самостоятельно. Всё это случилось благодаря руководству Республики и Министерству молодёжной политики (Р.Ф. Хабиров, Я.А.Гайдук и многие-многие другие) - спасибо вам за внимание к интересам молодёжи и к стараниям интеллигенции. А также благодаря моим друзьям из Уфы, Учалов, Луганска и Кировска, РнД и СПб, Москвы и Екатеринбурга, Перми и Н.Тагила. Отдельная благодарность вам, мои дорогие подписчики, за веру и терпение. И специальное спасибо Шамилю Валееву за музыку и глубокая признательность Раушание Бадретдиновой за всё-всё.

Autochtons of America

 







































Animal communication is the telepathic ability that we humans are all born



 “Animal communication is the telepathic ability that we humans are all born with as children, which allows us to make a connection with our animal friends and have an actual two-way conversation. 

Some of us retain this ability as we grow up, others are able to regain it through classes and special training exercises.

The ability to send and receive thoughts, images, feelings to one another isn’t a new form of communication for people either. It’s the oldest form of communication. Many studies prove people frequently communicate telepathically with each other without realizing it. 

It is how we make friends, keep aware of strangers and even fall in love. We all are born with this ability, this intuitive gift but are taught to not use it as we grow up. You can re-learn it through practice and experimentation. It’s simply a matter of relaxing the mind and “tuning in.””

https://animalhealings.com/telepathic-communication.html


Colony on Netflix

 


Colony on Netflix 

A Must Watch 

How Much Will you Sacrifice for Your Survival ,Family and Your Freedoms. A Must see Series on some what how your might be living in your Future in the America’s,if your not Ship off to a Prison Zone or planet 

воскресенье, 16 января 2022 г.

Identity

Each One Teach One

Давайте разберем несколько строк из трека KRS ONE «You must learn».

Хип Хоп и Рэп это не одно и тоже

Malcolm X - No Sell Out 1983 Complete 12'' Maxi

вторник, 11 января 2022 г.

THE OPEN CALL : ARTISTS IN RESIDENCE 2022. THEME: IDENTITY


 

THE OPEN CALL : ARTISTS IN RESIDENCE 2022. THEME: IDENTITY 

Submission Deadline Date: 2.2.22

Date Of Residence: 14th-19th February 2022

Location: Kampala, Uganda

Applicants: Emerging rappers, musicians, poets, producers, beatmakers, writers, authors and educators.


Authentic Voices Africa in collaboration with Hip Hop Association for Advancement and Education & Urban Art Beat invites our close and distant artists from around the world to apply for a one week Hip Hop residence where selected artists will come together in Kampala, Uganda, East Africa  (in person or virtually) for an authentic experience in the center of Kampala.


During the week, artists will network, connect and collaborate on music and writing projects, podcasts, discussions, artist professional development sessions and Hip Hop local community tours.


To apply or request more information all interested parties email authenticvoicesafrica@gmail.com OR text WhatsApp number +256784221279 .

Name:

Artist category:

Artist bio/Cv:

Social Media:

Gender:

Country:

PEACE.

#AuthenticVoicesAfrica #Callforresidence #HHAAE #Urbanartbeat #Opencall # #bavubukanation #backtothesource #bavubukafoundation #InternationalHipHopTourMagazine #AncestralVoices #Culture

#YouthLeadership8 #indigenousHipHop

21TH OF MARCH WMCJLTV PRODUCTION TRAILER